Transfiguration
The person always is
before the person was,
coughing and breathing
with the one throat,
smoking and laughing
alongside some lindens,
standing in line
for the helical escalator
at the heart of the new
architectural marvel,
working the sewing machine
and the Gatling gun, plying
whatever wares under a blaring
sun. Some days he was a knife
without a handle, others
a knife missing
its blade. I will crank
the rosined wood wheel
of my stridulent
Renaissance hurdy-gurdy
until the tune cuts off
mid-leitmotif as if a fuse
has blown in the black
box of the skull, irreplaceable:
it can’t be helped, it’s always
personal. Meanwhile we mushroom
on the forest floor, kneeling
to worship or forage. I found
in the damp of your arms
one unduly brusque evening
a lighted city, room enough
for my ribs, so I pressed them
to yours. You made room for me,
for a duration, our faces shining
and our garments white. Some nights
your wrists pulsed at my skull,
some nights your hair would
seep into my mouth against
my teeth. Some nights we slept
alone in separate dreams.
Before letting go
of a body, a body holds on
with its sugar and swearing,
its swagger and sweat,
through the regular transfer
of salt to those lips
from this thus far peripatetic
tongue, until the patient
drier air restores itself
to fill cracks heralding
a newfound vacancy,
resutures the perimeter,
resuscitates for the time being
the solitary form. A person
is a while, willed by the wind
to wander, a dialogue
between the clock face
and its hands. Here are
my living hands, gnarled
porcelain, reconstituted
from the wreckage, covered
and recovered, still adept
at signature and clutch.
I wave them past
John Keats’s wraithlike
posthumous portrait gracing
the MacBook’s backlit screen. Time
is an exit and a ligature.
Whenever you decide
to listen closely you are bound
to hear the echoes of the stridulent
excited children
in the yellow distance
chanting in unison, a mob
of flightless birds, one timeless
complicated psalm
after another
as they jump their frayed rope
on the sun-battered ruins.
Source: Poetry (September 2025)