Vuillard: “The Mother and Sister of the Artist”
(Instructions for the Visit)
Admire, when you come here, the glimmering hair
 Of the girl; praise her pale
 Complexion. Think well of her dress
 Though that is somewhat out of fashion.
 Don’t try to take her hand, but smile for
 Her hesitant gentleness.
 Say the old woman is looking strong
 Today; such hardiness. Remark,
 Perhaps, how she has dressed herself black
 Like a priest, and wears that sufficient air
 That does become the righteous.
 As you approach, she will push back
 Her chair, shove away her plate
 And wait,
 Sitting squat and direct, before
 The red mahogany chest
 Massive as some great
 Safe; will wait,
 By the table and her greasy plate,
 The bone half-chewed, her wine half-drained;
 She will wait. And fix her steady
 Eyes on you—the straight stare
 Of an old politician.
 Try once to meet her eyes. But fail.
 Let your sight
 Drift—yet never as if hunting for
 The keys (you keep imagining) hung
 By her belt. (They are not there.)
 Watch, perhaps, that massive chest—the way
 It tries to lean
 Forward, toward her, till it seems to rest
 Its whole household’s weight
 Of linens and clothing and provisions
 All on her stiff back.
 It might be strapped there like the monstrous pack
 Of some enchanted pedlar. Dense, self-contained,
 Like mercury in a ball,
 She can support this without strain,
 Yet she grows smaller, wrinkling
 Like a potato, parched as dung;
 It cramps her like a fist.
 Ask no one why the chest
 Has no knobs. Betray
 No least suspicion
 The necessities within
 Could vanish at her
 Will. Try not to think
 That as she feeds, gains
 Specific gravity,
 She shrinks, light-
 less as the world’s
 Hard core
 And the per-
 spective drains
 In her.
 Finally, above all,
 You must not ever see,
 Or let slip one hint you can see,
 On the other side, the girl’s
 Cuffs, like cordovan restraints;
 Forget her bony, tentative wrist,
 The half-fed, worrying eyes, and how
 She backs out, bows, and tries to bow
 Out of the scene, grows too ethereal
 To make a shape inside her dress
 And the dress itself is beginning already
 To sublime itself away like a vapor
 That merges into the empty twinkling
 Of the air and of the bright wallpaper.
Copyright Credit: W.D. Snodgrass, “Vuillard: ‘The Mother and Sister of the Artist’” from Selected Poems, 1957-1987 (New York: Soho Press, 1987). Copyright © 1987 by W.D. Snodgrass. Reprinted with the permission of the author.
Source: Selected Poems 1957-1987 (1987)


