Elegy for Daniel
(1970-2001)
After the bullet discharges through the tunnel of his mouth,
                after it shatters
 the Oklahoma evening, rips through ragweed & across many rivers,
                my apartment in Pittsburgh,
 the metal clips my arm, slams into a plaster wall,
                & the silence is his
 body slackening & the black fact of the gun underwater.
 I compress my wound as his ghost kneels beside his body,
                the bathtub, &
                               as his ghost draws the shower curtain back,
 I look away. No, I don’t want to know his secrets, why
                               surer hands will tag, bag as evidence.
 He is a poet. He makes the difficult question of speaking
                a matter of remembering
                               how he shouted the poems he loved.
 His outbursts were pure country. Yes, rumors circulated,
                               how vets suffer
 medication, what he saw as a S.E.A.L., how weird,
                & no one could stand
                                              the belabored way he read aloud,
 & I said all the above & more, & to his face
                when no one was around when he finally caught on,
 I asked him, ‘Why are you quieter? I’ve noticed, & it scares me.’
                                                   *
 Even now I’m busy with details, the dirty work of gathering.
 Here’s rosemary & some pansies, that’s for thoughts
                rambled to me one Fall afternoon, Cathedral of Learning,
 how Komunyakaa showed him a way to anchor a moment
                between stillness & approach
 turning toward tall grass or a woman’s wet hair to braid,
                or how it could lock arms with an enemy,
 lose to an overwhelming grasp, or listen to the dying
                echo of paradise birds singing
 so much gibberish, as if a whole life could be reduced to one image
                dangling from a fist & engraved with a number,
 as if a poem wants only to be identified upon delivery,
                which was why Daniel read Blake,
 Calvino & Crane for fire & crystal. Why he shut himself up
                with Bishop. Why Stern’s huge breath,
 why Oppen, Tu Fu & Paz. Lewis & Vollmer mattered
                for their generosities, lines layered like the earth
                               in his face,
 the reds & browns of his voice deepening to what he pursued,
                half-formed in haze
 & burrowing underneath to avoid tripwire, & Daniel yelling as he
                plunged after its gray, disappearing shape.
                                                   *
 I listen to his ghost pace the hallway as if barefoot across dirt,
                fronds like unfurled scrolls, rustle.
 Root scent & rainfall stain his cheeks with welcome, risk.
                He has walked far to finish this conversation between us.
 He brushes against the wood, taps the doorknob trying to explain
                the jagged web of cracks in my wall,
 hot metal at the center like a labyrinth chamber
                or the slick tip of a widow
 hunched over & spinning a bundle or the pure ore from a journey
                toward sublimation, a soul’s treasure,
 or the soul, itself, lodged in a network & inconsolable
                because wings never guaranteed perfect pitch.
                                                   *
 Daniel, the scar on my arm fades as I read your poems again,
                & the maps you drew
 time spackles over for a move out west.
 The twenty that someone taped to my office desk for flowers
                remains unspent,
                               a bookmarker for a Ramses biography.
 I tried.   I couldn’t find your permanent address.
 Daniel, the news today proclaims disaster, code orange to survive
                for tomorrow’s headline
 that you were right could, at any moment, slip under a thicket,
                emerge skittish beside a pile of leaves,
 its long gray nose & black eyes focused on your movements.
 How you wrote it down, my friend, held it
                in the starless night
                               & gave it pink fingers with which to scratch back.
Copyright Credit: Jennifer Kwon Dobbs, "Elegy for Daniel" from Paper Pavilion.  Copyright © 2007 by Jennifer Kwon Dobbs.  Reprinted by permission of White Pine Press, www.whitepine.org.
Source: Paper Pavilion (White Pine Press, 2007)


